Casey and Elicia were Guest Artists in Residence at Arts Letters & Numbers where they taught their movement mediation workshop series Body Sense and their tactile painting and sculpture workshop Painting Your Pain. They also developed new work for their show My Body's Wake, premiering in San Diego July 2025.
July 26th @ 7pm City Heights Performance Annex in San Diego CA
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Saturday July 26th @ 7pm
City Heights Performance Annex
We are premiering our new evening length work My Body's Wake partially developed while guest artists in residence at Arts Letters and Numbers. This performance features body painting, improvisational dance and violin, and generative technologies exploring themes of grief, isolation, anger, and care within the contexts of chronic pain.
Estimated runtime: 1 hour
Followed by a 20 min artist talk back
Sunday July 27th @ 4pm
Location coming soon ...
Painting Your Pain is a 3-hour workshop that explores the experience of pain through tactile painting/sculpture guided by movement meditation, reflective writing, and group discussion. Rooted in disability justice and integrated accessibility, Participants will learn tools for nervous system regulation, accessing interoception, and explore the language of pain through expressive, tactile art-making. Each participant will create and take home a personal "painting of pain," while also gaining a glimpse into the artistic practice of Casey Hall-Landers and Elicia Neo.
Monday July 28th @ 5:30pm - 6:30
Light Box Theater
We will be teaching elements from our Body Sense workshop tailored for contact improv. Body Sense is a practice of movement and meditative body scans designed to improve body awareness and interoception through imagery and touch based facilitation. Movement taught by Casey Hall-Landers and Live Music by Elicia Neo.
Class is held from 5:30 - 6:30
Followed by a contact improv jam 6:30 - 9pm with Live Music
In Waves That Wash, Casey (pale skinned white non-binary person with vibrant blue and purple hair wearing beige colored linen spaghetti strap dress over linen pants) and Elicia (a pale skinned asian woman with black hair with pink streaks by either temple wearing a loose cream spaghetti strap dress) lie in the grass. They look up while bells fade in and their hands interlock. They rest in a tree as creaking and violin fade in. They appear in a cave leaning against a rock, to the sound of water flowing. They walk through waves holding hands. A clearing in the woods fades in as we zoom out over a lake.
In Bone Crushing, two fair-skinned arms gently hold a pile of bones, flowers, and leaves. The image then fades into one person holds large bones to their chest wearing a beige tank top to the sound of creaking. Crossfading in, the hands begin to violently manipulate bones to the sounds of crunching, creaking, and high pitched violin. The frenetic manipulation slows, as two people kneeling release vertebrae one by one to the floor before them.
Arts Letters & Numbers is a non profit arts, education, and publishing organization dedicated to promoting creative exchanges across a wide range of disciplines including Architecture, Visual Arts, Theatre Arts, Film, Music, Humanities, Sciences, and Social Sciences.
Casey and Elicia sharing their violin and dance improv game used to generate material for their exhibitions and performances
Sensory Dimensions depicts the experiences of disabled people with chronic illness and pain by immersing audiences in multi-sensory environments using a diverse range of artistic modalities to create accessible live art events. Founded by interdisciplinary artists Casey Hall-Landers and Elicia Neo through the Berklee NYC Masters program in Creative Media and Technology, the duo is fueled by a passion to create safe and welcoming spaces for all.
In the artists’ ongoing investigation to express invisible disabilities through art, Sensory Dimensions have developed a practice of recontextualizing pain through different sensory and artistic pathways, using nature as a reflective device to understand our bodies, and interweaving accessible design within their creative expression.
Sensory Dimensions has performed their work in San Diego and New York City and presented a lecture on accessible design and generative technology at the Performers(') Present 2023 International Artistic Research Symposium at Yong Siew Toh Conservatory of Music Singapore.
Most recently Casey and Elicia were guest artists in residence with Arts Letters and Numbers where they taught Body Sense (a movement meditation workshop), Painting Your Pain (a tactile painting and sculpture workshop), and developed new work to be premiered at the San Diego Public Library City Heights Performance Annex during Disability Pride Month (July 26th).
Through their exhibitions, workshops, and lectures Casey and Elicia hope to promote visibility for invisible and dynamic disabilities and chronic illness.
Born and raised in San Diego, Casey Hall-Landers is a production and stage manager, AV technician, choreographer, interdisciplinary artist, and accessibility advocate working at the intersection of live arts, disability justice, and performance technology. With a BFA in Dance from NYU Tisch School of the Arts and a master’s degree in Creative Media and Technology: Live Experience Design from Berklee College of Music NYC, Casey creates and supports live performances that are collaborative, interdisciplinary, and intentionally accessible.
Diagnosed with fibromyalgia while studying dance at NYU, Casey shifted focus from performance to production, movement therapy, and the study of chronic pain. Their independent research—combining neurobiology, trauma studies, improvisation, and creative arts therapy—continues to inform their choreographic and educational practices developing dance modalities that increase body awareness and help others better understand pain through movement.
While at NYU, Casey founded Access Arts NYC, a student-led, interdisciplinary outdoor arts festival launched in response to the COVID-19 pandemic. The festival provided collaborative performance opportunities, public arts access, and education on accessibility in the arts.
At Berklee NYC, they expanded their production expertise in live music and theater, working in roles including stage manager, camera director, lighting and projection designer, and live audio mixer. As assistant to the Director of Education, Casey produced the Access Live Events Conference and authored Introduction to Accessible Design to provide resources for emerging artists and designers.
In their current practice Casey is exploring intersectional identity focusing on body politics of trans/non-binary and disabled people, improvisational dance to accommodate pain in real time, expressive interdisciplinary arts as a vehicle for understanding pain, and somatic practices rooted in neurobiology.
They work across a range of mediums including contact improvisation, tactile and body painting, spoken word, projection design, generative technology, and film.
With a deep belief that everybody has accessibility needs, Casey continues to support and create projects that push the boundaries of access in live events—and is committed to building a future where accessibility is not an afterthought, but a foundation.
Singaporean violinist Elicia Neo’s passion in classical contemporary music forms her medium in how she shares her story. Her interests have led her to collaborate with composers and animators to create Skeleton (2021), an original multimedia piece for violin and percussion unpacking imposter syndrome, and Emergent (2022), an electronic visual-dance-music recital held in collaboration with dancers.
Over the years, Elicia’s music focus shifted into creating accessible and inclusive events for both the artist and the audience, having produced inclusive events such as concerts and guided-imagery concerts for healing at some of Bali’s finest resorts. Elicia Neo is a Trailblazer General Fund recipient 2022, Britten-Pears Young Artist 2023, Bang on a Can Fellow 2023, Paul Abisheganaden Grant for Artistic Excellence recipient 2023, and an upcoming Black House Collective Performing Resident 2024.
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